59589 occurrences across the corpus

OT Pseudepigrapha

The Letter of Aristeas 3:10

He did not suppose that it was owing to lack of gold that the former table had been made of small size, but there seems to have been, he said, some reason why it was made of--this dimension.

The Letter of Aristeas 3:11

For had the order been given, there would have been no lack of means.

The Letter of Aristeas 3:13

At the same time he ordered them to press into service all the manifold forms of art, for he was a man of the most lofty conceptions and nature had endowed him with a keen imagination which enabled him to picture the appearance which would be presented by the finished work.

The Letter of Aristeas 3:13

At the same time he ordered them to press into service all the manifold forms of art, for he was a man of the most lofty conceptions and nature had endowed him with a keen imagination which enabled him to picture the appearance which would be presented by the finished work.

The Letter of Aristeas 3:16

They made the table two cubits [*1] long, one cubit broad, one and a half cubits high fashioning it of pure solid gold.

The Letter of Aristeas 3:17

What I am describing was not thin gold laid over another foundation, but the whole structure was of massive gold welded together.

The Letter of Aristeas 3:18

And they made a border of a hand's breadth round about it.

The Letter of Aristeas 3:19

And there was a wreath of wave-work, engraved in relief in the form of ropes marvellously wrought on its three sides.

The Letter of Aristeas 3:19

And there was a wreath of wave-work, engraved in relief in the form of ropes marvellously wrought on its three sides.

The Letter of Aristeas 3:20

For it was triangular in shape and the style of the work was exactly the same on each of the sides, so that whichever side they were turned, they presented the same appearance.

The Letter of Aristeas 3:20

For it was triangular in shape and the style of the work was exactly the same on each of the sides, so that whichever side they were turned, they presented the same appearance.

The Letter of Aristeas 3:21

Of the two sides under the border, the one which sloped down to the table was a very beautiful piece of work, but it was the outer side which attracted the gaze of the spectator.

The Letter of Aristeas 3:21

Of the two sides under the border, the one which sloped down to the table was a very beautiful piece of work, but it was the outer side which attracted the gaze of the spectator.

The Letter of Aristeas 3:21

Of the two sides under the border, the one which sloped down to the table was a very beautiful piece of work, but it was the outer side which attracted the gaze of the spectator.

The Letter of Aristeas 3:22

Now the upper edge of the two sides, being elevated, was sharp since, as we have said, the rim was three-sided, from whatever point of view one approached it.

The Letter of Aristeas 3:22

Now the upper edge of the two sides, being elevated, was sharp since, as we have said, the rim was three-sided, from whatever point of view one approached it.

The Letter of Aristeas 3:23

And there were layers of precious stones on it in the midst of the embossed cord-work, and they were interwoven with one another by an inimitable artistic device.

The Letter of Aristeas 3:23

And there were layers of precious stones on it in the midst of the embossed cord-work, and they were interwoven with one another by an inimitable artistic device.

The Letter of Aristeas 3:24

For the sake of security they were all fixed by golden needles which were inserted in perforations in the stones.

The Letter of Aristeas 3:26

On the part of the border round the table which slanted upwards and met the eyes, there was wrought a pattern of eggs in precious stones, elaborately engraved by a continuous piece of fluted relief-work, closely connected together round the whole table.

The Letter of Aristeas 3:26

On the part of the border round the table which slanted upwards and met the eyes, there was wrought a pattern of eggs in precious stones, elaborately engraved by a continuous piece of fluted relief-work, closely connected together round the whole table.

The Letter of Aristeas 3:26

On the part of the border round the table which slanted upwards and met the eyes, there was wrought a pattern of eggs in precious stones, elaborately engraved by a continuous piece of fluted relief-work, closely connected together round the whole table.

The Letter of Aristeas 3:27

And under the stones which had been arranged to represent eggs the artists made a crown containing all kinds of fruits, having at its top clusters of grapes and ears of corn, dates also and apples, and pomegranates and the like, conspicuously arranged.

The Letter of Aristeas 3:27

And under the stones which had been arranged to represent eggs the artists made a crown containing all kinds of fruits, having at its top clusters of grapes and ears of corn, dates also and apples, and pomegranates and the like, conspicuously arranged.

The Letter of Aristeas 3:27

And under the stones which had been arranged to represent eggs the artists made a crown containing all kinds of fruits, having at its top clusters of grapes and ears of corn, dates also and apples, and pomegranates and the like, conspicuously arranged.

The Letter of Aristeas 3:28

These fruits were wrought out of precious stones, of the same colour as the fruits themselves and they fastened them edgeways round all the sides of the table with a band of gold.

The Letter of Aristeas 3:28

These fruits were wrought out of precious stones, of the same colour as the fruits themselves and they fastened them edgeways round all the sides of the table with a band of gold.

The Letter of Aristeas 3:28

These fruits were wrought out of precious stones, of the same colour as the fruits themselves and they fastened them edgeways round all the sides of the table with a band of gold.

The Letter of Aristeas 3:28

These fruits were wrought out of precious stones, of the same colour as the fruits themselves and they fastened them edgeways round all the sides of the table with a band of gold.

The Letter of Aristeas 3:29

And after the crown of fruit had been put on, underneath there was inserted another pattern of eggs in precious stones, and other fluting and embossed work, that both sides of the table might be used, according to the wishes of the owners and for this reason the wave-work and the border were extended down to the feet of the table.

The Letter of Aristeas 3:29

And after the crown of fruit had been put on, underneath there was inserted another pattern of eggs in precious stones, and other fluting and embossed work, that both sides of the table might be used, according to the wishes of the owners and for this reason the wave-work and the border were extended down to the feet of the table.

The Letter of Aristeas 3:29

And after the crown of fruit had been put on, underneath there was inserted another pattern of eggs in precious stones, and other fluting and embossed work, that both sides of the table might be used, according to the wishes of the owners and for this reason the wave-work and the border were extended down to the feet of the table.

The Letter of Aristeas 3:29

And after the crown of fruit had been put on, underneath there was inserted another pattern of eggs in precious stones, and other fluting and embossed work, that both sides of the table might be used, according to the wishes of the owners and for this reason the wave-work and the border were extended down to the feet of the table.

The Letter of Aristeas 3:29

And after the crown of fruit had been put on, underneath there was inserted another pattern of eggs in precious stones, and other fluting and embossed work, that both sides of the table might be used, according to the wishes of the owners and for this reason the wave-work and the border were extended down to the feet of the table.

The Letter of Aristeas 3:30

They made and fastened under the whole width of the table a massive plate four fingers thick, that the feet might be inserted into it, and clamped fast with linch-pins which fitted into sockets under the border, so that which ever side of the table people preferred, might be used.

The Letter of Aristeas 3:30

They made and fastened under the whole width of the table a massive plate four fingers thick, that the feet might be inserted into it, and clamped fast with linch-pins which fitted into sockets under the border, so that which ever side of the table people preferred, might be used.

The Letter of Aristeas 3:32

On the table itself they engraved a 'maeander,' having precious stones standing out in the middle of it, rubies and emeralds and an onyx too and many other kinds of stones which excel in beauty.

The Letter of Aristeas 3:32

On the table itself they engraved a 'maeander,' having precious stones standing out in the middle of it, rubies and emeralds and an onyx too and many other kinds of stones which excel in beauty.

The Letter of Aristeas 3:33

And next to the 'maeander' there was placed a wonderful piece of network, which made the centre of the table appear like a rhomboid in shape, and on it a crystal and amber, as it is called, had been wrought, which produced an incomparable impression on the beholders.

The Letter of Aristeas 3:33

And next to the 'maeander' there was placed a wonderful piece of network, which made the centre of the table appear like a rhomboid in shape, and on it a crystal and amber, as it is called, had been wrought, which produced an incomparable impression on the beholders.

The Letter of Aristeas 3:34

They made the feet of the table with heads like lilies, so that they seemed to be like lilies bending down beneath the table, and the parts which were visible represented leaves which stood upright.

The Letter of Aristeas 3:35

The basis of the foot on the ground consisted of a ruby and measured a hand's breadth high all round.

The Letter of Aristeas 3:35

The basis of the foot on the ground consisted of a ruby and measured a hand's breadth high all round.

The Letter of Aristeas 3:36

It had the appearance of a shoe and was eight fingers broad.

The Letter of Aristeas 3:37

Upon it the whole expanse of the foot rested.

The Letter of Aristeas 3:38

And they made the foot appear like ivy growing out of the stone, interwoven with akanthus and surrounded with a vine which encircled it with clusters of grapes, which were worked in stones, up to the top of the foot.

The Letter of Aristeas 3:38

And they made the foot appear like ivy growing out of the stone, interwoven with akanthus and surrounded with a vine which encircled it with clusters of grapes, which were worked in stones, up to the top of the foot.

The Letter of Aristeas 3:38

And they made the foot appear like ivy growing out of the stone, interwoven with akanthus and surrounded with a vine which encircled it with clusters of grapes, which were worked in stones, up to the top of the foot.

The Letter of Aristeas 3:39

All the four feet were made in the same style, and everything was wrought and fitted so skilfully, and such remarkable skill and knowledge were expended upon making it true to nature, that when the air was stirred by a breath of wind, movement was imparted to the leaves, and everything was fashioned to correspond with the actual reality which it represented.

The Letter of Aristeas 3:40

And they made the top of the table in three parts like a triptychon, and they were so fitted and dovetailed together with spigots along the whole breadth of the work, that the meeting of the joints could not be seen or even discovered.

The Letter of Aristeas 3:40

And they made the top of the table in three parts like a triptychon, and they were so fitted and dovetailed together with spigots along the whole breadth of the work, that the meeting of the joints could not be seen or even discovered.

The Letter of Aristeas 3:40

And they made the top of the table in three parts like a triptychon, and they were so fitted and dovetailed together with spigots along the whole breadth of the work, that the meeting of the joints could not be seen or even discovered.

The Letter of Aristeas 3:41

The thickness of the table was not less than half a cubit, so that the whole work must have cost many talents.

The Letter of Aristeas 3:42

For since the king did not wish to add to its size he expended on the details the same sum of money which would have been required if the table could have been of larger dimensions.

The Letter of Aristeas 3:42

For since the king did not wish to add to its size he expended on the details the same sum of money which would have been required if the table could have been of larger dimensions.

The Letter of Aristeas 3:44

Of the mixing bowls, two were wrought in gold, and from the base to the middle were engraved with relief work in the pattern of scales, and between the scales Precious stones were inserted with great artistic skill.

The Letter of Aristeas 3:44

Of the mixing bowls, two were wrought in gold, and from the base to the middle were engraved with relief work in the pattern of scales, and between the scales Precious stones were inserted with great artistic skill.

The Letter of Aristeas 3:45

Then there was a 'maeander' a cubit in height, with its surface. wrought out of precious stones of many colours, displaying great artistic effort and beauty.

The Letter of Aristeas 3:45

Then there was a 'maeander' a cubit in height, with its surface. wrought out of precious stones of many colours, displaying great artistic effort and beauty.

The Letter of Aristeas 3:46

Upon this there was a mosaic, worked in the form of a rhombus, having a net-like appearance and reaching right up to the brim.

The Letter of Aristeas 3:47

In the middle, small shields which were made of different precious stones, placed alternately, and varying in kind, not less than four fingers broad, enhanced the beauty of their appearance.

The Letter of Aristeas 3:47

In the middle, small shields which were made of different precious stones, placed alternately, and varying in kind, not less than four fingers broad, enhanced the beauty of their appearance.

The Letter of Aristeas 3:48

On the top of the brim there was an ornament of lilies in bloom, and intertwining clusters of grapes were engraven all round.

The Letter of Aristeas 3:48

On the top of the brim there was an ornament of lilies in bloom, and intertwining clusters of grapes were engraven all round.

The Letter of Aristeas 3:48

On the top of the brim there was an ornament of lilies in bloom, and intertwining clusters of grapes were engraven all round.

The Letter of Aristeas 3:49

Such then was the construction of the golden bowls, and they held more than two firkins each.

The Letter of Aristeas 3:51

But it is impossible to describe the real impression which these works of art produced upon the mind when they were finished.

The Letter of Aristeas 3:54

When men looked at the golden vessels, and their minds made a complete survey of each detail of workmanship, their souls were thrilled with wonder.

The Letter of Aristeas 3:54

When men looked at the golden vessels, and their minds made a complete survey of each detail of workmanship, their souls were thrilled with wonder.

The Letter of Aristeas 3:56

So that it is really impossible to describe the artistic beauty of the works.

The Letter of Aristeas 3:58

And about the rims they wove a wreath of ivy and myrtle and olive in relief work and inserted precious stones in it.

The Letter of Aristeas 3:59

The other parts of the relief work they wrought in different patterns, since they made it a point of honour to complete everything in a way worthy of the majesty of the king.

The Letter of Aristeas 3:59

The other parts of the relief work they wrought in different patterns, since they made it a point of honour to complete everything in a way worthy of the majesty of the king.

The Letter of Aristeas 3:59

The other parts of the relief work they wrought in different patterns, since they made it a point of honour to complete everything in a way worthy of the majesty of the king.

The Letter of Aristeas 3:59

The other parts of the relief work they wrought in different patterns, since they made it a point of honour to complete everything in a way worthy of the majesty of the king.

The Letter of Aristeas 3:61

For the king spent no little thought upon them, for he loved to gain glory for the excellence of his designs.

The Letter of Aristeas 3:62

For oftentimes he would neglect his official business, and spend his time with the artists in his anxiety that they should complete everything in a manner worthy of the place to which the gifts were to be sent.

The Letter of Aristeas 3:63

So everything was carried out on a grand scale, in a manner worthy of the king who sent the gifts and of the high priest who was the ruler of the land.

The Letter of Aristeas 3:63

So everything was carried out on a grand scale, in a manner worthy of the king who sent the gifts and of the high priest who was the ruler of the land.

The Letter of Aristeas 3:63

So everything was carried out on a grand scale, in a manner worthy of the king who sent the gifts and of the high priest who was the ruler of the land.

The Letter of Aristeas 3:64

There was no stint of precious stones, for not less than five thousand were used and they were all of large size.

The Letter of Aristeas 3:64

There was no stint of precious stones, for not less than five thousand were used and they were all of large size.

The Letter of Aristeas 3:65

The most exceptional artistic skill was employed, so that the cost of the stones and the workmanship was five times as much as that of the gold.

The Letter of Aristeas 3:65

The most exceptional artistic skill was employed, so that the cost of the stones and the workmanship was five times as much as that of the gold.

The Letter of Aristeas 4:1

I HAVE given you this description of the presents because I thought it was necessary.

The Letter of Aristeas 4:2

The next point in the narrative is an account of our journey to Eleazar, but I will first of all give you a description of the whole country.

The Letter of Aristeas 4:2

The next point in the narrative is an account of our journey to Eleazar, but I will first of all give you a description of the whole country.

The Letter of Aristeas 4:2

The next point in the narrative is an account of our journey to Eleazar, but I will first of all give you a description of the whole country.

The Letter of Aristeas 4:3

When we arrived in the land of the Jews we saw the city situated in the middle of the whole of Judea on the top of a mountain of considerable altitude.

The Letter of Aristeas 4:3

When we arrived in the land of the Jews we saw the city situated in the middle of the whole of Judea on the top of a mountain of considerable altitude.

The Letter of Aristeas 4:3

When we arrived in the land of the Jews we saw the city situated in the middle of the whole of Judea on the top of a mountain of considerable altitude.

The Letter of Aristeas 4:3

When we arrived in the land of the Jews we saw the city situated in the middle of the whole of Judea on the top of a mountain of considerable altitude.

The Letter of Aristeas 4:3

When we arrived in the land of the Jews we saw the city situated in the middle of the whole of Judea on the top of a mountain of considerable altitude.

The Letter of Aristeas 4:5

It was surrounded by three walls more than seventy cubits high and in length and breadth corresponding to the structure of the edifice.

The Letter of Aristeas 4:7

It was obvious that no expense had been spared on the door and the fastenings, which connected it with the door-posts, and the stability of the lintel.

The Letter of Aristeas 4:8

The style of the curtain too was thoroughly in proportion to that of the entrance.

The Letter of Aristeas 4:8

The style of the curtain too was thoroughly in proportion to that of the entrance.

The Letter of Aristeas 4:9

Its fabric owing to the draught of wind was in perpetual motion, and as this motion was communicated from the bottom and the curtain bulged out to its highest extent, it afforded a pleasant spectacle from which a man could scarcely tear himself away.

The Letter of Aristeas 4:10

The construction of the altar was in keeping with the place itself and with the burnt offerings which were consumed by fire upon it, and the approach to it was on a similar scale. 11 There was a gradual slope up to it, conveniently arranged for the purpose of decency, and the ministering priests were robed in linen garments, down to their ankles.

The Letter of Aristeas 4:10

The construction of the altar was in keeping with the place itself and with the burnt offerings which were consumed by fire upon it, and the approach to it was on a similar scale. 11 There was a gradual slope up to it, conveniently arranged for the purpose of decency, and the ministering priests were robed in linen garments, down to their ankles.